Returning E.P.

This titled means that I wanted to persuade myself into looking back upon, as I have usually done with most albums; in a metaphorical sense. but this time it was different. 'Returning' gave me the availability of my electric which is only down to one because my other is broken. Which i like a lot and do not have the money to fix it. This left me with my rather buzzy electric with less versatility to ride on. I'd say it first began with acoustical properties but then more and more it grew into an electric and effects phase which has lead me to my current position in music making 'Summer Collection' and in relation my blog. 'Returning' not only has the simplicity I was searching for but the monotonous tones that somehow change over time. I really think that this is a true step from 'From the Basement' (my first album) to 'Returning'. In that i mean it's not my desire, or my skill, or anything that makes me play music. It's the step that relates back to the first one. Kinda like it was left off with many ideas and now they have come out with a full thrust. Now to explain how the sounds are similar. I like the idea of using effects to transpose my guitar in another state from the true tone of the guitar. Also there weren't all but one or two takes and less multiple tracking. The sounds needed a little originallity from an unoriginal guitar sound. I just suppose they are very unique and that's why i like them. Returning E.P. http://www.archive.org/details/ReturningE.p

Drgon

Lengthy two part session with rhythm and guitar and woodstock. It's fun and relaxing and sometimes loud. Take with you anywhere in a bag or out of a bag. It's nice to know the beat don't stop for about 20 minutes and 25 minutes on the second leg. HERE DRGON http://www.archive.org/details/DrgonFirstAndSecond Originally titled 'drgon will come and save me'

Hey Aaron

Wow. It's been a long week. I want you to enjoy all that you can to achieve happiness to be yourself; less than expectations. Summer collection Hey Aaron http://www.archive.org/details/HeyAaron--somethingFace--

music Video

Not the most creative thing ever made. i like the music more than the video but the video captures me as i watch it. I WOULD suggest the high quality mpeg1 file because it is not compressed down to size. It also takes awhile to load. Download it here. http://www.archive.org/details/rideMusicVideo this week seems to be a festival as the kids don't have anywhere to go.

'Field' day posters!

Jackson aparatus

Test Note: at the bottom.

A collaboration project done in Dec. 08 in Richmond. Various brands of spray paint and mixed colors. mostly Hemp,. paper size 14"x11", Folds up to provide a slip cover for the album 'Field'. thanks to Alexandra Barao for welcoming the project into her home and adapting the posters from hence they came. thanks to Leland Jackson for his spray skilz and will to listen. These might be your inspiration on me.

Grass Rolling Green

Let me explain a little about my recent recordings. First and foremost it has become an adventure into the line of effects and the design of looping. Based off of hourly sessions most tracks are taken out of context and post recording effect to an MP3. I've become more aware in the process of setting up the line of effects from the send of the 12 channel mixer by manipulating the state of the recording routed through speakers or off the main mix. I prefer the amplifiers because of it's vulnerability to record dead space inside the room (isn't always dead) in which i am recording. When one sound is cut off by the air in which we breathe, back into a mic to be recorded. This i believe is a natural sort of wholesomeness rather than just routing from one machine to another. Then, after a few weeks of recording and determining the likes and dislikes of different pedals and ways to route the pedals it is becoming a greater part of the texture of the recordings. In all I feel like i'm becoming more comfortable to sustain this environment of recording and to add instruments in time, rather than; the favorite guitar. Thanks to Gary Morris for providing the ability to create this set-up. We hope to create more sessions under a certain name. fase face or arsefase or something face. I'm looking forward to creating more sensible tracks to break down into an album of streaming looping conscience. For the mean time check out the roughly 20 minute track. More to follow this. http://www.archive.org/details/GrassRollingWater

F is an unexpected turn

F widens a path below to an avenue or curvy river deepening in the end as an ocean opens it's waters. We see here this is F. The word for which the letter is derived remains upon a depth of uncertainty. It struggles to be free of it's cognate to stand alone. F, making the mark in history, is surely to not dissolve as easily to understand what F is. Or on F it could not bare the form to freely discuss the figures it represents. F is a guitar with stereo recording. Beyond F is meaning too much. http://www.archive.org/details/F-01-20

The lists keep coming

In the winter it's much easier to think about not doing something, because it's cold outside. But in the warm air, it's much harder to think of not doing something because it makes you vulnerable to moving and being moved by things. Everything is in creation and alive. No other way around it. In our choice of something nice or something angry we are still causing an affect and then again we might choice our consequences. So be careful what you do and know that the winter is not the same. For now you don't have to decide i got the music for you. To drop it to you on the internet is not something i'm desperately proud of. It's a means of connection and to allow more of the listeners to come and feed off the feast. and it's going through the summer. I don't want to stop and maybe there will be no end. But what would we do different, given the chance. Some long some short some round some flat. I might as well live in a junk yard. but you know i got all the good parts. http://www.archive.org/details/CExcessAndContent GO FOR IT!!!